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Osiris
resurrecting in gneiss, electrum and gold: on ehibit at
the National Gallery of Art
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The Quest for Life After Death
By Esther Iverem
SeeingBlack.com Editor
Talk
about Egyptian Treasures and other visual art! Click here.
"The Quest For Immortality: Treasures of Ancient Egypt,"
which is on view at the National Gallery of Art in Washington, D.C.
and will travel to other U.S. cities, is a sumptuous treat for the
eye and spirit. With 115 exceptional and many rare objects-including
intricately painted coffins, a gold funerary mask and a life-sized
reconstruction of a pharoah's burial chamberit is the largest
selection of antiquities ever loaned by Egypt for exhibition in
North America, and an in-your-face introduction into religious practices
in ancient Africa.
More so than other exhibits about ancient Egypt that
I've seen, "The Quest for Immortality" treats its art and other
objects in a manner that emphasizes the significance of their historical
and cultural context. Even though the objects are fine and there
is much gold and jewelry on display, "Quest" is less a gee-golly-whiz-look-at-dat
show, and more of a sincere exploration of ancient belief systems.
In contrast, even the title of the National Gallery's blockbuster
1976 show, "Treasures of Tutankhamun," seemed designed to lure crowds
with gold and jewelsa little ancient Egypt bling-bling.
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Sarcophagus
of Khonsu
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By focusing on the Egyptian belief in the afterlifeand
the elaborate preparations made inside tombs for it"Quest"
allows us to establish a less material relationship to the gold,
carvings, statues, images of gods and furniture buried in royal
tombs. It emphasizes how these items were created and placed to
assist in the journey in the afterlife. Most of these pieces on
exhibit were removed from the royal tombs at Tanis, found intact
in 1939, and focuses on the period of the New Kingdom (1550-1069
BCE) through the late period (664-332 BCE).
With this emphasis on religious practices, "Quest"
is not burdened by a totally Eurocentric view of the Egypt's history
and culture. It is not unusual for Black folks to be leery of mainstream
exhibits and films about ancient Egypt, accustomed as we are to
being presented images of queens who look like Elizabeth Taylor
and Anne Baxter. (What big media images of ancient Black Egyptians
have we seen other than those in Michael Jackson's music video,
"Remember the Time?") This new show does not address any such issues
specifically, or satisfy any desire for an exhibit focusing on objects
from Blacks in ancient Egypt. But by presenting a variety of stunning
pieces, it allows all of us to gaze, learn and take away from it
what we will. We do go through these exhibits with a different eye
and there is nothing wrong with trusting that eye to raise questions.
I was particularly drawn to the figures of Sennefer,
the mayor of Thebes, and his wife Sentnay. The statues come from
the Eighteenth Dynasty reigns of Ahmenhotep II and Thutmose IV,
1427-1390 BCE. Carved in a black granodiorite, with facial features
that are not aqualine and hair that some scholars will call wigs
(and others call braids and locks), the couple looks positively
Black with a capital B. I was similarly drawn to many other pieces,
including a tomb statue of Nakhtmin's wife, also from the Eighteenth
Dynasty period, as well as the intricately painted and gilded coffin
for Isis-em-akhbit, a princess.
There is an eyeful here to see and think about that
creates links between Egyptian people and beliefs, and people and
beliefs in other parts of Africa. It's up to us to see and claim
these ancient relics of the African past, and not leave them totally
for the eyes and minds of others.
Esther Iverem's film and visual arts reviews also
appear on BET.com.
"The Quest For Immortality: Treasures of Ancient
Egypt," is on view at the National Gallery of Art Until Oct. 14
and will also be shown at the Museum of Science, Boston, Nov. 20,
2002 - March 30, 2003; the Kimbell Art Museum, Fort Worth, May 4
- September 14, 2003; the New Orleans Museum of Art, October 19,
2003 - February 25, 2004; the Denver Museum of Nature and Science,
September 12, 2004 - January 23, 2005; and the Museum of Fine Arts,
Houston, September 2 - December 12, 2007.
Related Web Sites:
-- September 26, 2002

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