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(L to r) William Jennings ("Harlem Aria"), Estela Bravo ("Fidel"), Craig Ross, Jr. ("Blue Hill Avenue"), and Beresford Bennett, screenplay winner.

Urban World Celebrates Five Years of Building Black Film

by Esther Iverem
SeeingBlack.com Editor and Film Critic

Talk about independent Black films! Click here.

The Urbanworld Film Festival, held this year August 1-5 in New York City, celebrated its fifth anniversary by showing more than 60 films highlighting the range of creativity existing outside mainstream cinema and television. With film screenings in Times Square and in Harlem, as well as panels, parties and an upgraded awards presentation, Urbanworld showcased the vitality of the independent film movement.

Unlike the Acapulco Black Film Festival, which has a stronger emphasis on feature films, Urbanworld also presents a variety of short films, as well as several strong documentaries. One of the noteworthy documentaries, "Beyond Tara: The Extraordinary Life of Hattie McDaniel," is showing on AMC. While the nucleus of Urbanworld is Black cinema, it also includes films made by others about the African-American, Latino, Asian and urban experience.

Bill Dee Williams, Hill Harper, and Rae Dawn Chong star in the critically acclaimed film "The Visit."

"It is really difficult being an independent filmmaker," said Craig Ross, Jr., while picking up an award for Best Director for his gangster flick, "Blue Hill Avenue." "Sometimes I wonder if the path I've chosen is the right one. "I'm thankful for recognition at Urbanworld because it makes me believe that maybe I've done the right thing."

Both Acapulco and Urbanworld are celebrating their fifth anniversary this year, patting themselves on the back for creating truly national festivals for the Black film community, and distribution deals. Recognizing this lack, each organization has formed an independent distribution company to bring these films to theaters near you.

This year, Urbanworld Films made its first theatrical release with "The Visit," the powerful prison drama starring Hill Harper and Billy Dee Williams. The film's promotion, distribution and box office receipts were spotty but the film garnered good reviews. Urbanworld Films is also planning five new releases, including "For Da Love of Money," starring the comedian Pierre.

Jeff Friday, founder of the Acapulco festival, has formed Film Life, which will have its first theatrical release this October with "One Week," a riveting story about AIDS in the African-American community, directed by Carl Seaton, which won awards at both festivals last year. "We're able to release our own films. We don't need to rely on Hollywood," said Stacy Spikes, founder and chairman emeritus of the Urbanworld festival. "It's our responsibility as a people to get the work out."

In addition to "Blue Hill Avenue," a variety of films received awards at Urbanworld this year. "Lift," a complex drama about a young shoplifter by DeMane Davis and Khari Streeter, won the Best Feature award. A prize for Artistic Achievement went to "Love Come Down," a drama about interracial relationships and the strength of family ties. The New York-heavy crowd gave the Audience Award to "Harlem Aria," a drama written and directed by William Jennings about a mentally challenged man who dreams of becoming an opera singer.

Two documentaries won awards: "Raisin' Kane: A Rapumentary," about the world of hip-hop, directed by Alison Duke, and "Fidel," an up-close chronology of Cuba's revolutionary leader, directed by Estela Bravo. Also emotionally complex, "The Life and Times of Little Jimmie B.," based on the writer James Baldwin's childhood and written and directed by Alison McDonald, won the award for Best Short. Beresford Bennett, an actor based in Brooklyn, won the screenplay competition with "Mood Indigo," concerned with three sets of people with romantic entanglements.

Read complete reviews of films at the festival for:

Esther Iverem's reviews can also be found on the lifestyle and movies pages of BET.com

 

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-- September 10, 2001

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